The Teaching of Hazrat Inayat Khan      

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Volume

Sayings

Social Gathekas

Religious Gathekas

The Message Papers

The Healing Papers

Vol. 1, The Way of Illumination

Vol. 1, The Inner Life

Vol. 1, The Soul, Whence And Whither?

Vol. 1, The Purpose of Life

Vol. 2, The Mysticism of Sound and Music

Vol. 2, The Mysticism of Sound

Vol. 2, Cosmic Language

Vol. 2, The Power of the Word

Vol. 3, Education

Vol. 3, Life's Creative Forces: Rasa Shastra

Vol. 3, Character and Personality

Vol. 4, Healing And The Mind World

Vol. 4, Mental Purification

Vol. 4, The Mind-World

Vol. 5, A Sufi Message Of Spiritual Liberty

Vol. 5, Aqibat, Life After Death

Vol. 5, The Phenomenon of the Soul

Vol. 5, Love, Human and Divine

Vol. 5, Pearls from the Ocean Unseen

Vol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of Existence

Vol. 6, The Alchemy of Happiness

Vol. 7, In an Eastern Rose Garden

Vol. 8, Health and Order of Body and Mind

Vol. 8, The Privilege of Being Human

Vol. 8a, Sufi Teachings

Vol. 9, The Unity of Religious Ideals

Vol. 10, Sufi Mysticism

Vol. 10, The Path of Initiation and Discipleship

Vol. 10, Sufi Poetry

Vol. 10, Art: Yesterday, Today, and Tomorrow

Vol. 10, The Problem of the Day

Vol. 11, Philosophy

Vol. 11, Psychology

Vol. 11, Mysticism in Life

Vol. 12, The Vision of God and Man

Vol. 12, Confessions: Autobiographical Essays of Hazat Inayat Khan

Vol. 12, Four Plays

Vol. 13, Gathas

Vol. 14, The Smiling Forehead

By Date

THE SUPPLEMENTARY PAPERS

Heading

1. The Silent Life

2. Vibrations

3. Harmony

4. Name

5. Form

6. Rhythm

7. Music

8. Abstract Sound

Sub-Heading

-ALL-

Eternal Harmony

Universal Harmony

Individual Harmony: between body and soul

Individual Harmony: between individuals

Harmony and Evolution

Inharmony of Birds

Inharmony of Insects

Inharmony of Humans

Creating Harmony Between Classes of Human Beings

Harmony in Contrast

Five Elemental Natures in People

Tone of the Voice

Rhythm in Speaking

Harmony in Speaking with Others

Harmony of Three People

Harmony Through Tolerance

The Key Note

Vol. 2, The Mysticism of Sound

3. Harmony

Rhythm in Speaking

It must be understood that rhythm is the balance of speech and action.

  • One must speak at the right time,
  • otherwise silence is better than speech:
  • a word of sympathy with the grief of another, and
  • a smile at least when another laughs.
  • One should watch the opportunity for moving a subject in society, and
  • never abruptly change the subject of conversation, but skillfully blend two subjects with a harmonious link.
  • Also one should wait patiently while another speaks, and
  • keep a rein on one's speech when the thought rushes out uncontrollably, in order to keep it in rhythm and under control during its outlet.
  • One should emphasize the important words with a consideration of strong and weak accent.
  • It is necessary to choose the right words and mode of expression, to regulate the speed and to know how to keep the rhythm.
  • Some people begin to speak slowly and gradually increase the speed to such an extent that they are unable to speak coherently.

The above named rules apply to all actions in life.

The Sufi, like a student of music, trains both his voice and ear in the harmony of life. The training of the voice consists in being conscientious about each word spoken, about its tone, rhythm, meaning and the appropriateness for the occasion. For instance the words of consolation should be spoken in a slow rhythm, with a soft voice and sympathetic tone. When speaking words of command a lively rhythm is necessary, and a powerful distinct voice.

The Sufi avoids all unrhythmic actions; he keeps the rhythm of his speech under the control of patience, not speaking a word before the right time, not giving an answer until the question is finished. He considers a contradictory word a discord unless spoken in a debate, and even at such times he tries to resolve it into a consonant chord. A contradictory tendency in man finally develops into a passion, until he contradicts even his own idea if it be propounded by another.