The Teaching of Hazrat Inayat Khan      

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Volume

Sayings

Social Gathekas

Religious Gathekas

The Message Papers

The Healing Papers

Vol. 1, The Way of Illumination

Vol. 1, The Inner Life

Vol. 1, The Soul, Whence And Whither?

Vol. 1, The Purpose of Life

Vol. 2, The Mysticism of Sound and Music

Vol. 2, The Mysticism of Sound

Vol. 2, Cosmic Language

Vol. 2, The Power of the Word

Vol. 3, Education

Vol. 3, Life's Creative Forces: Rasa Shastra

Vol. 3, Character and Personality

Vol. 4, Healing And The Mind World

Vol. 4, Mental Purification

Vol. 4, The Mind-World

Vol. 5, A Sufi Message Of Spiritual Liberty

Vol. 5, Aqibat, Life After Death

Vol. 5, The Phenomenon of the Soul

Vol. 5, Love, Human and Divine

Vol. 5, Pearls from the Ocean Unseen

Vol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of Existence

Vol. 6, The Alchemy of Happiness

Vol. 7, In an Eastern Rose Garden

Vol. 8, Health and Order of Body and Mind

Vol. 8, The Privilege of Being Human

Vol. 8a, Sufi Teachings

Vol. 9, The Unity of Religious Ideals

Vol. 10, Sufi Mysticism

Vol. 10, The Path of Initiation and Discipleship

Vol. 10, Sufi Poetry

Vol. 10, Art: Yesterday, Today, and Tomorrow

Vol. 10, The Problem of the Day

Vol. 11, Philosophy

Vol. 11, Psychology

Vol. 11, Mysticism in Life

Vol. 12, The Vision of God and Man

Vol. 12, Confessions: Autobiographical Essays of Hazat Inayat Khan

Vol. 12, Four Plays

Vol. 13, Gathas

Vol. 14, The Smiling Forehead

By Date

THE SUPPLEMENTARY PAPERS

Heading

1. Sex

2. Half-Bodies

3. Attraction and Repulsion

4. On Some Ideals

5. Types of Lovers

6. The Character of the Beloved

Four Types of Women

7. Modesty

8. The Awakening of Youth

9. Courtship

10. Chivalry

11. Marriage

12. Beauty

13. Passion

14. Celibacy

15. Monogamy

15. Pologamy

17. Perversion

18. Prostitution

Sub-Heading

-ALL-

Padmani

Chitrani

Shankari

Hastini

Vol. 3, Life's Creative Forces: Rasa Shastra

Four Types of Women

Chitrani

Chitrani is beautiful and brilliant. She is happy amongst women, but prefers the friendship of the opposite sex. She is affectionate by nature, and desires affection. Her voice is music, a song; and there is poetry in her words. She is not so idealistic as Padmani, but she is refined and skilled in manner, and delightful and amusing in expressing her likes and dislikes. She herself loves but one man, though her manner may show another that he might perhaps be able to win her love too. She is vain and she is modest; she is bold and she is exclusive. She plays at hide-and-seek with her lover. Her swift glance, the lift of her eyebrows, her slightest gesture, a movement of a hand or of a shoulder, will convey her thought or mood as no words can. She expresses her love and wins her lover's heart a thousand times over; and one straight look of her eyes draws his soul to the surface. She is controlled by him and yet controls. She is with him and yet apart. She is Maya, the elusive one. She is the pearl of his heart.